The source of the American trend of this season dates back to the 1930s, not only because of the inspiration of Mr. Michael Kors's new season, but also can not ignore the Carolina Herrera who was born in the late 1930s, as one of the most outspoken female fashion masters in the whole New York City, she is wearing a meticulous hairstyle this season. Sit in the front row of the personal label show and witness how Wes Gordon will bring her iconic design language into a new era.

"The most beautiful women I know are strong, strong and resilient. I want to constantly pursue the height of elegance, the height of craftsmanship, the height of decoration and the perfect detail in the collection." Gordon says.

He did not let Ms. Herrera disappointed, the classic white shirt and black half skirt model interspersed in the spring flower of the dress, as always, the ruffled, streamlined cut, in the dressy fabric support looks more powerful, just as Gordon said backstage at the show, "For me, the theme of this season is beauty is power." I think beauty is power and I want every look to have power."

Also interpreting the power of beauty on the runway of New York Fashion Week is Jason Wu, and to this day, no one will deny his contribution to American fashion and the favor of American fashion to him.

After several seasons of the ultimate outline of feminine beauty, Jason Wu this season focuses on exploring the magic of fabrics and craftsmanship, which seem to give all classic designs a different atmosphere and mood, and then reshape the elegant core of the brand, bringing it into a more charming and mysterious realm.

"The inspiration for this season was to try something very advanced, but at the same time to show the traces of wear." Jason explains. Based on the deconstruction of the core of Charles Jamesian elegance, he fleshes out the collection with seemingly imperfect pleated satin, worn-in raw fabric and delicate three-dimensional embroidery, further enhancing his ability to interpret the power of American elegance.

In the context of American fashion, the definition of "glamour" is not limited to tulle and train, and do not forget the dress trend that once arose from the American campus. That's what Tommy Hilfiger is trying to emphasize when he returns to New York Fashion Week this season. New York is my home.

I think it's time to dedicate myself to New York Fashion Week. In the Oyster Bar located in New York's Grand Central Station, Hilfiger has created a classic brand of polo shirts, navy knit sweaters, school jackets are not absent, and the real breakthrough is the playful interpretation of the shape, around the brand logo of the three-color stripes mixed and matching, by changing the proportion of day wear, emphasizing the layer of layering. To render the casual and relaxed fashion style, every single piece is familiar, but in the change of fashion trends, through the spontaneous interpretation of a new generation of young people, Hilfiger makes its extraordinary taste once again in the forefront of The Times.

As the new opening show of New York Fashion Week, Helmut Lang, creative director of Peter Do, welcomed the second season after the reboot. The misty atmosphere from the beginning of the show seems to take us back to the peak of Mr. Helmut Lang.

Lang's former supermodel Kirsten Owen opened the show by wearing a bubble film textured see-through shirt and trousers that paid tribute to the same look from the brand's spring/summer 2003 collection. Up close, these uneven textures are actually made of silk.

The design of shirts and pullover knitwear printed with plaid woven bags is also inspired by the classic plaid see-through dresses and skirts of the year. In addition, elements such as functional protective coats and "bulletproof" vests were recreated by Peter Do on the runway this season. Compared with the regular and secure in the first season, Do in the new season has undoubtedly relaxed some nervous nerves, and gradually navigate the balance of tribute and innovation.

In collaboration with the archive of the Robert Mapplethorpe Foundation, designer Ludovic de Saint Sernin moved his show from Paris to New York for the first time. He may be a stranger, but he set off a sexy wave on the night of his Super Bowl performance.

Photographer Robert Mapplethorpe's work has long been a favorite of avant-garde designers, and Ludovic may have been attracted to it because the floral and leather elements in those photos are more seductive metaphors than outright sexiness.

He transformed Mapplethorpe's flowers into prints and embroideries on silk fabrics, sparkling crystal textures on chain mail, and details such as leather jackets and strappy elements echoed Mapplethorpe's avant-garde images, which were not only the inspiration for this season's show, Ludovic de Saint Sernin was inspired to find and discover his true self, "I connected with him on a personal and artistic level, Mapplethorpe boldly shared his fantasies with the world, and he helped many people, including myself."

Ludovic de Saint Sernin's designs are made for the night, and Luar, founded by New York native Raul Lopez, is no exception. Beyonce in the audience and Julez Smith Jr on the runway. Is the best proof of its American nightlife style success.

However, for the Fall/Winter 2024 collection, Lopez wanted to take his creation a step further by referring to Mark Simpson's 30-year-old concept of the "metrosexual" - a group of single men who live in big cities and visit gyms, shops and social venues that promote a sophisticated lifestyle. Know how to beautify oneself at great expense.

Lopez takes this concept to a broader level this season, regardless of gender or era, with models on the runway wearing exaggerated wigs, fingertips with exaggerated rhinodiamond-studded nails, sportswear and leather jackets stretched to the point of armor, offering her thoughts on how, in an era that promotes inclusion and diversity, The public's definition of "metrosexual" is becoming more and more narrow, and even becomes a symbol to identify minority groups, which seems to be a backward step. And he's using Luar's show, implicitly and vehemently, to make his voice heard.

New York City nights are not only filled with metrosexual men in Luar, but there is no shortage of sexy characters portraying LaQuan Smith. The Fall/Winter 2024 collection is a continuation of Smith's signature style, and the choice of a show in the heart of Manhattan's financial district hints at his foray into more diverse styles - daywear solutions that fit the urban elite.

"It's important for me to have healthy conversations with buyers and customers to understand how my female customers shop." So rather than continue to amplify the sexy elements, Smith introduced more down-to-earth coats and suits. "When people come to LaQuan Smith, they subconsciously look for something to wear after 6 p.m., but it also gave me a lot of room to expand the percentage of day wear."

Thus, Smith's vision and pattern are more mature, but these menacing day coats and furs are for what kind of women, "She is in charge, she is going to work, she is going to Sue you!" The playfulness and playfulness of his bones have not disappeared, but they are expressed in a more subtle way.