The abstract transformation around denim, leather and chiffon elements presents a combination of classical and surreal fashion expression.
After establishing himself in fashion with his colorful athleisure wear, designer Mark Fast's designs this season are full of nostalgia, which reminds him of his youth at Central Saint Martins, where he studied under Louise Wilson. "I wanted to look back at my skills in designing dresses," he said. "After all these years, I'm happy to be back at the knitting machine because this is where it all started," he explains.
Fast unexpectedly reinterprets the exotic hood and wrap dress through knitting techniques, paying tribute to the style of the 1980s at the same time, the sag and elasticity given by knitted fabrics replace the traditional elastic lycra and chiffon, so that these colorful shapes meet the practical.
The adventurous spirit of American female aviator and feminist activist Amelia Earhart runs through Mithridate's designs this season.
In 1937, Earhart disappeared over the Pacific Ocean while attempting the world's first round-the-world flight.
The brave spirit of exploration and unsolved mysteries surrounding her have driven designer Demon Zhang to further deconstruct the design of flight theme into a series of chapters. The strong vegan leather, printed design like a circuit board and extreme exaggerated outline have developed a road of exploration about the future of fashion from the historical context.
Every season of London Fashion Week, there are naturally moments that make people laugh, and it is because of them that the London Fashion Week show has become a unique existence, and this season is no exception.
Christopher Kane can always draw ideas from seemingly unrelated elements of fashion and make people applaud.
The first thing to see this season are those straight shoulders and necklines like cutting boards, which in today's demanding creative environment, it is hard not to think of the suggestion of "we are the knife, I am the fish".
The more obvious moments of interest come from the skintight dresses covered in animal prints, which Kane designed using artificial intelligence. "All you have to do is talk to it, give it a very specific description, and it will come up with it."
And designer David Koma, who specialises in sexy party looks, wants women to relax a bit more this season, too, when they appear under the dark.
"Marlene Dietrich is someone I've admired for a long time and wanted to put her legacy, and my admiration for her life's work, at the center of everything I design this season - she was one of the first major figures to experiment with a neutral style that was particularly bold in her time."
As he puts it, boldness comes not only from the dramatic use of tuxedos in the runway looks, but also from the subtlety of the details, from the hand-cut patent leather flowers adorn the neck and chest, or assembled into chain mail, and the unilateral resin earrings in the shape of cigarette butts that vibrate the rhythm of freedom and freedom when walking, in a way, This is one of the closest creations we've seen to the spirit of Dietrich.
Actor Ian McKellen's opening sequence promises drama in this season's S.S. Daley, which Stokey-Daley donned in a sailor hat and navy blue coat, and a sailor fantasy unfolds.
The ubiquitous mix of loose string, ribbons and striped fabrics tells the story of a shipwreck coming to life, and when we see those Wedgwood China on hoodies and dresses, it seems safe to assume that Stokey-Daley's final plot must be a happy one.
At the end of the inventory, let's enter the world of fraternity created by Chinese designer Susan Fang.
I have been reading Children of the Stars, a story about aliens coming to Earth. It turns out that aliens are not necessarily evil, but no matter how powerful technology is, if there is more 'evil' than 'love' on the Earth, then the earth will destroy itself internally, that is, the breadth of love is greater than the narrowness of knowledge and thought."
So, she chose to cover the whole show with rose petals, so that the taste of love with the aroma of roses into people's hearts.
Models of all colors and ages, wearing Susan Fang's smart prints and air braided designs, walked hand in hand down the runway to express her big vision hidden beneath the small romance.
"Although we come from different countries, under the same sky, everything we do is connected, intangible love, memory and imagination are connected like fragrant smells." All peoples are human beings, and we can reconnect from this invisible but powerful energy, such as love."
