But in addition to the glamour on the train, Quinn is also showing her responsible side this season. "All of our pieces are cut in-house, including the fabrics used in the show, so nothing goes to waste." This is an ideal echo of his business philosophy, and after a few years of exploration, he has accumulated a considerable group of loyal customers, and the effort he puts into each dress will not be in vain.
Simone Rocha, who returned from a prestigious week in Paris, decided that it was time to draw a successful end to the previous year's rush and effort with this new series. From The Spring/Summer 2024 collection called "The Dress Rehearsal" to The Paris guest haute collection called "The Procession" to this Fall/Winter 2024 collection, Rocha defines it as "The Wake" as the final chapter of a trilogy.
In the show set in St. Bartholomew's Church, Rocha brought a series of designs influenced by Queen Victoria's mourning dress.
Continuing the brand's combination of princess dresses and lingerie structures, Rocha creates a meaningful romantic texture in organza and dark blue silk, while creating a sense of conflict with faux fur and exaggerated sequin embroidery.
Even a sad and slightly dark Gothic theme can be presented with an elegant universal beauty through her soft filter. This is the genius of Rocha's design, seemingly easy to imitate, but ultimately difficult to replace.
Molly Goddard, who rose to the role of mother during the preparation of this season, is also quietly changing her design strength, perhaps those fluffy and shaped yarn dresses have more or less let us ignore her talent in basic clothing, and this season is a good opportunity for her to prove herself.
Aside from the bold tulle dresses in the show, the various layered looks in knitted fabrics and taffeta were more worthy of scrutiny, with fuchsia, magenta, peplum and orange giving the collection a bright, vibrant tone that could be easily worn in everyday life even if it didn't require the stage immediately -- exactly the style Goddard says she would have chosen when she was younger.
Perhaps because of the birth of her daughter, Goddard prefers to create from the subtle beauty of everyday life, and the result, as we can see, is a genuine happiness and warmth, which runs through the needle and thread of clothing.
Erdem Moralioglu, by contrast, seems to have more "ambition" in his design. In order to maximize the tribute to the Greek soprano Maria Callas, the Muse of the season, Moralioglu chose the site of the show under the Parthenon statue in the British Museum.
Although the move was subsequently questioned by many Greek media organizations, Moralioglu has maintained his own superb level of design. The opening operatic coat with exaggerated lapels is certainly a throwback to Callas' signature look, which he described as "a pop icon that almost defined the '50s."
Later, various printed umbrella skirts and embroidered long coats all reproduced the fashion customs of that era, while implementing Erdem's eternal romantic and poetic perspective.
In the current situation that many brands choose to converge and conservative, Erdem Moralioglu reflects under the soft surface, in fact, it is a more fearless and uncompromising creative spirit, and we should applaud such courage and perseverance at any time.
Designer Bora Aksu, who also specializes in romantically writing inner thoughts, was inspired by the work of Jewish-American artist Eva Hesse this season.
Hesse, who has been struggling all his life, released his inner pain and helpless struggle into the world of artistic creation, boldly introduced non-traditional materials and symbolic techniques, and created a series of thought-provoking installation works.
Guided by Hesse's creative spirit, Aksu traveled to Hamburg, her birthplace, and saw many of her previously unexhibited works at the Wiesbaden Museum.
On this basis, the toughness of art is the driving force of fashion creation, and Aksu instill more diversified connotation and readability into the soft color matching and rich texture of personal style.
The wide cloak shape echoes the flow structure commonly used in Hesse latex sculpture, and also meets the demand for lightness and care in contemporary women's clothing.
The layers of various colors of tulle are like the intricate texture formed by the continuous superposition in the art work, presenting a hallucinatory visual effect, while the hand-made Angora mohair skirt is also interwoven with shiny metal elements, which is also a tribute to Hesse's material combination.
In short, whether it is a Hesse art fan or a loyal customer of Aksu, Can feel the unique aesthetic resonance in this series.
Since the Renaissance, drama has become an important artistic tradition in English culture. On the stage of London Fashion Week, designers are combining theatrical origins with dramatic expressions to enhance the viewing value of fashion shows.
