Starting with the wardrobes of Hollywood stars, Davis explores classic styles and iconic silhouettes from the 1950s.
The opening silhouette coat, cropped bomber jacket and shirt borrowed from the cocoon cut of the time.
The precise and smooth double-sided cutting results in a crisp lattice and waist reduction design, while the comfortable and casual elastic wool gabadine adds a modern touch to the traditional style.
The glossy white nylon has been on the runway since last season, and this season also brings back a dress half skirt with a waisted design and rounded hemline, also from the 1950s.
With shorts and hooded cardigan, more in line with the trend of young people's taste.
The broad Coat uses a wide hem, and its prototype is the "Swing Coat" born in the early 1950s.
Davis took a contemporary perspective on the interpretation, deep brown and cream white color design, to make this leather coat refreshing.
But beyond the "inspired wardrobe," Maximilian Davis is also looking further afield: art.
Inspired by artist Lucio Fontana's "knife-cutting elements" in the Concept of Space series, Davis brought a series of wonderful creations:
Sharp cut suits and dresses that fit the body shape, using the "knife cutting" technique similar to art works, showing the "inside" of colorful colors; Or by "cutting" the back and hemline, extend the soft ruffles.
Gabardine trench coat and motorcycle leather coat hidden behind the zipper a deep red, precisely fit Davis aesthetic, but also highlight the pioneering spirit of the rebellious youth of the 1950s.
As Fontana says, "I don't want to make a painting; I wanted to colonize space, to create a new dimension, connected to the universe, endlessly expanding beyond the closed plane."
With similar ideas, Davis disassembled and reconstructed traditional fashion, and gave clothing more decoration and discussion significance.
He also applied the "spatial concept" to more diverse pieces: coat pockets and cuffs are lined with thin lines, or bags are cut and embedded with contrasting color lines.
This coincides with the hollowed-out handbags in the brand's collection - the element of egg hollowed-out is extended to the newly designed shoes this season.
It is also reminiscent of the work of Dadamaino, another artist active in the second half of the 1950s.
The futuristic fashion of the 1950s is also the focus of Maximilian Davis.
Reflected in the flowered patent leather pieces, they can perfectly wrap a woman's body, let the wearer show endless charm.
The tight metallic mini dress, with its pleated design, presented a dreamy sparkle like candy paper, which added the finishing touch to the collection.
Davis said after the show: "This is what I understand people envisioned in the 1950s for the future of style: weird metallic and shiny."
