Tilda Swinton's outfits in "I Am Love" were almost all from JilSander, who was still RafSimons' creative director at the time, and were classy and elegant.

A rich summer vacation is the style of "Holiday Horror," and Tilda Swinton and Dakota Johnson have their own costumes.

Tilda Swinton plays the rock star, her clothes are mainly simple and casual, and the large white brings out the lazy and sexy temperament.

Another female lead, Dakota Johnson, plays a young girl who wears loose, free and colorful fashion and is brimming with youth.

A remake of the 1969 French film Swimming Pool, starring Alain Delon, Romy Schneider, Maurice Ronet and Jane Birkin as the daughter, the original film was written by the late French director Jacques Deray. The retro images are just as intriguing.

The co-starring of Alain Delon and Romy Schneider, a generation of film stars known as the Golden boy and girl, is one of the highlights of the film, although the love is gone at that time, but the film is the peak of their youth. Romy Schneider's white swimsuit and tropical print dress in the film are summery.

Jane Birkin, another fashion icon, also leaves many classic moments in the film, with vintage sunglasses, a series of swimsuit shows, plaids, and the casual combination of white shirt, white T-shirt and jeans still attracts everyone's obsession.

Luca Guadagnino's next project, with Dakota Johnson and Tilda Swinton, will be a remake of Dario Argento's 1977 horror classic The Wind Blows, due out in 2017. But while you wait, you can also check out the old works, and the sophistication is amazing.

In the 1977 horror classic "The Wind Blows," Dario Argento paints a surreal palette of yellow, red, and blue, with quaint Settings and gorgeous fashion.

Many snazzy films are synonymous with thrillers, like Drive director Nicolas Winding Refn's 2016 Neon Demon, which was nominated for the Palme d 'Or at the 69th Cannes Film Festival.

Elle Fanning will play Jesse, a young girl who dreams of becoming a supermodel and is loved by the photographer but also envied by other girls.

Fantastical and gorgeous costumes, ubiquitous colors and complex light spots, futuristic electronic music, and complex mirrors make up a beautiful and brutal supermodel fantasy. The director used a color experiment to describe Jesse's glory and danger in the vanity fair, and Jesse also fell from the pure into the secular abyss and finally all the destruction.

The setting of the supermodel not only lets people see the gorgeous clothes, but also tells the cold and heartless Los Angeles model circle.

Electric blue metallic dresses, black embroidered gowns, full of drape skirts and so on, in the film in an endless stream.

If you enjoyed the 2009 fashion documentary The September Issue, starring Anna Wintour and Grace Coddington, then the First Monday in May is a must-see.

In the September issue, let everyone know the cold, strong Anna Wintour.

The First Monday in May, named after the date of the MetGala, known as the "Oscars of the fashion world," follows the success of the September Issue, a new documentary directed by Andrew Rossi of The New York Times Front Page Insider, Chronicling the year-long preparation for last year's Met Gala and the glittering, star-studded charity dinner that followed. The theme at that time was "China: Through the Looking Glass," and the picture was full of the collision of Eastern and Western fashion and culture.

In the film, intricate Chinese elements can be seen everywhere, such as dragon robes, silk, intricate beading, and of course, countless Western designers inspired by the mysterious East.

You can also see how Andrew Bolton, the head curator of the Metropolitan Museum of Art, worked until he was exhausted in the exhibition, and of course Anna Wintour's real power in the fashion circle.