And the underlying logic of retro ghost horse style and refined Korean style is not very similar.

For example, as we have said, the main idea of Korean dressing is to balance the mean, and the replicability of dressing ideas is high, which also brings the shackles of homogenization.

Just like the first few styles we talked about, there are differences, but the difference is not too great.

But the ghost horse wind is obviously a sudden rise, there is no common single product, but "rags" are upper, but also a strange harmony, it is a test of aesthetic accumulation and imagination.

Hill shading represents ghost horse wind.

This makes it difficult to draw a pattern from it, so I will not introduce it here.