As a result, he turned the entire collection into a feast of perspective, from taupe and caramel to olive, ochre, and even brown and vermilion, a variety of rich colors swept through the light and close-fitting tulle material, and the curves of the models' bodies were hidden in the clothes, becoming an important part of the modeling.
At the same time, scarves made of elastic fabrics and wide bracelets made of transparent materials are also the finishing touches of the entire collection.
Vaccarello's perspective style will undoubtedly make the French fashion style amazing again after a whole season of coats offensive.
Having explored the most delicate aspects of women's dress and daily life, this season Nadege Vanhee decided to return to the role of "horsewoman" that Hermes is best at - the new collection revolves around equestrians and motorcycles, two types of cycling.
The models in the new Hermes look seemed unfazed by the rain, which was set up in the center of the show to simulate the weather conditions they might encounter while exercising outdoors.
Biker leather jackets, knee-high boots and sleek sports coats all spoke to the craftsmanship and solid materials behind the brand. Vanhee also did not ignore women's needs for day wear, the collection was embellished with butter beige and bright red shapes, scarves cleverly cut into a pleated waist dress, blanket coats that can be stretched into a real blanket, and let people look forward to the arrival of the next fall.
There is no doubt that there are high expectations for Chemena Kamali's debut at Chloe this season.
Her name may not be familiar to us, but she has helped shape several of Chloe's highlight moments in the past, from Phoebe Philo to Clare Waight Keller's team appeared Kamali figure, she is undoubtedly the ideal person to helm the brand.
For Kamali, her past working experience at Chloe made her comfortable in the creation of her debut show, those flowing in the brand's 70s archives of Bohemian romance, from fashion to accessories, nothing but evoke our obsession with Chloe's classic image, "I think today as a woman, you need to be able to follow your intuition, Be yourself.
It's very much an intuitive way of dressing, it's about lightness, movement, fluidity and emotion."
Kamali also clearly believes in the power of intuition in her work, and while the soft ruffled tulle and leather fringe are in the air with the models' releases, Georgia May Jagger, Anna Cleveland and Sienna Miller, who witnessed Chloe's romantic era, were all smiling. Yes, the Chloe we know is finally back.
Sean McGirr, another designer who is making his debut this season, wants to re-write Alexander McQueen's footnote for a new era. McGirr, who watched McQueen refresh the fashion landscape as a student, naturally understands what it means to take on the job, but he doesn't seem to want to simply repeat the work of his predecessors, but to use his good skills of day wear design to try to bring those works that most can only remain in the fashion museum into real life.
The opening look, a black, twisted layered knit pleated dress, was inspired by McGirr's spring/summer 1995 collection. "I tried to take this idea of a compressed silhouette a step further and see what it could do for a realistic wardrobe," McGirr said.
Indeed, we have seen more variations on the details of the daily look, such as the tire-patterned multilayer neckline pullover sweater, the double-breasted fine coat decorated with arrow brooches, the bird-tailed leather collar coat, and the hand-woven wool hooded funnel-neck sweater, making McQueen no longer just a fashion icon to be looked up to, but also a styling tool to be worn.
Of course, the laser-cut screen-effect dress and steel car dress at the end of the show also earned enough attention, but this may be just McGirr's preview and prelude, we look forward to his more complete blueprint at McQueen.
Givenchy, by contrast, is smoothly navigating the transition between the old and the new with the strength of its in-house design team. After a series of creative directors coming and going and style changes, the design team seems to understand the importance of continuing the classic in the present, giving the Autumn/Winter 2024 women's collection a luxury look comparable to haute couture.
The fine silver beaded embroidery not only gives the cocktail dress a sparkle, but a closer look at the direction and pattern of the embroidery pieces, the silver arrangement is woven smoothly like a pet cat hair, which is revealed by the simulated cat-eye rhinette in the fabric.
The following series of suits also included dark fur lines, and the sophisticated tailoring continued Matthew M. Williams' insistence on high quality feelings.
While paying tribute to the classic, Givenchy is also trying to blend the traditional haute couture language, such as the tuxedo support structure raised between the chest of the suit, or the waist vest made of thick stick knitting, which makes the whole collection jump out of the dusty historical archives, the brand's exclusive elegant style to continue to a new generation.
Although Miu Miu was originally a fashion brand named after designer Miuccia Prada's childhood nickname at home, but after more than 30 years of creation, today's Miu Miu is definitely no longer the exclusive exclusive of young girls, on the contrary, Ms. Prada is starting from her daily thoughts and ideas to the vertical and vertical dimensions of life. Build the depth of Miu Miu as a brand.
