At the end of the show, the 1950s haute couture style cocktail dress made of high-tech high-performance fabrics was a new extraction and homage to history.

Yes, the pieces of this show may be from the Victorian period, the 1920s or the 1950s, but in the end, it is in the hands of Miuccia Prada and Raf Simons, it becomes current, it becomes unified.

The most eye-catching signature element of the whole collection must be the bow.

This element confirms what Raf Simons said, "We feel a real emotion, an emotional memory." It has a sense of history and a fascination with different moments, and it feels new in the moment."

In the Prada Autumn/Winter 2024 women's show, the bow was the starting point of the whole show, and the model wore a black dress that was decorated with dozens of delicate and modern bows.

As the show unfolded, pale pink and dark purple versions of the dress appeared. Bow elements are also further iterated, incarnation of different creative inspiration -

Behind the Tik Tok pandemic, it is seen as a way for adults to reminisce about their youth and refuse to enter the adult world.

However, in the eyes of Miuccia Prada and Raf Simons, such inherent elements are reconstructed by design, and the formal language is rewritten with new connotations.

Sometimes you can dress like a bubbly 15-year-old girl, but sometimes you can see a lot of old-fashioned intellectual inspiration, and of course they can be mixed together.

Raf Simons, when talking about style, said, "It's important to know yourself." Who you are and where you came from. Only by knowing your past can you realize your future."

This is why the same elements, in their hands, can transcend the inherent perception and become new.

In addition to bows, women also have more ways to wear, such as the transformation of traditional menswear materials into internal soft fabrics.

The front piece can be a hard tweed and the back piece is a gentle embroidered silk, but the two are connected by a lanyard.

This is also Miuccia Prada and Raf Simons are good at the sense of structure, in different angles, can see a completely different world.

There were also historical ruffles, many of the dresses were ruffled at the hem and seams, and traditional feminine elements were revisited and redefined.

They are old and desirable.

Raf Simons said, "We strive to create beautiful things. When it comes to beauty, it is inevitable to look back. You can't erase the history of beauty -- the history defines the idea of beauty in the present."

In the style of accessories, just reflect this point of view.

The models hung their handbags on mini belts in the crops of their arms and held their hands in front of their chest, in the same manner as an old-fashioned handbag (or cell phone) carrier from a bygone era.

The caps pushed the proportions to the extreme, with the girls wearing tall feathered hats in a variety of shapes.

The shoes are slim and delicate, with a very romantic color, all reflect the love into the design.

The design style of the glasses is unique, but the weird style is to echo the makeup, in the eyes of the designer, this is the wearer's personality, the traces of clothing can be concretly presented.

Finally, as Raf Simons put it, "We are not just recreating the outline of history. This is not a narrative of history. At its core, the collection is about expressing our love of fashion."

Although we compare fashion to a dream, we all believe that it will always be meaningful and powerful.

Just like Prada's fashion show, in this interaction of questions and answers, we open a dialogue with the world and evoke a collision of ideas - this is the desire and instinct of human beings to communicate and express emotions.

Through our clothes, we touch each other, and we show how much we appreciate each other.