The first to mention is designer David Koma, who draws inspiration from the styles of German dancer Pina Bausch and Spanish choreographer Candela Capitan, and tries to reflect in his design the sense of air achieved by artist Rebecca Horn in his sculptures.

As a result, the show has been transformed into a stage filled with performance atmosphere, and instead of the past practice of full sexy momentum, Koma this season focuses more on the combination of vivid silhouette and flowing decorative elements, as the model moves, the skirt and coat corners like a theatrical actor's costume with layers of ripples, just the right sense of rhythm and rhythm.

Mark Fast, by contrast, unfolds an iconoclastic theatrical fantasy he likes to describe as "Galaxy Beyond," in which "I'm imagining what rock stars will look like when they fall from another planet and come to Earth."

Without overly exaggerated hardcore armor, nor the traditional sense of the silver imagination of the future world, Fast chose to use the brand's iconic knitting elements to outline the extraordinary image of the extraterrestrial visitor in his mind.

When the models in the show wore tights and dresses made of knitted fabrics, and wore powerful coats and deconstructed jackets, they reflected Fast's innermost practical fantasies - they may not be fundamentally different from humans on Earth, but they seem to be so a small step ahead in this matter of dressing.

And we can catch up with their pace, through Fast's knitting works, and live with a more pioneering future.

When we mention Roksanda, the first thing that comes to mind is those gowns with large silhouette and full colors.

However, Zendaya's most recent nod to the brand was a Burgundy belted jacket set that opened the season, perhaps reflecting Roksanda Ilincic's creative ambitions.

Starting with Le Corbusier's architectural perspective, Ilincic explored more possibilities in the shape and texture of clothing.

Originally a symbol of absolute calm and rational lines in the architecture, in the context of fashion, it reveals the magnificent beauty of the majestic atmosphere, and this wonderful contrast runs through every detail of Roksanda's new season.

It satisfies urban women who love Ilincic's designs and offers a new option for red carpet warriors like Zendaya to win in the spotlight.

And if you had to pick a face from this season's London Fashion Week that best represents the creative energy of emerging designers.

Dilara Findikoglu is an undisputed choice. After the female warrior image created by tableware, knife and fork in the previous show.

This season, she has once again surprised the audience with her answers.

Based on elements of underwear and men's suits and uniforms, Findikoglu uses a seemingly rugged deconstruction approach to express sharp issues.

"It's about the challenge of rotten masculinity -- and I feel like we're trying to dismantle it with this show."

Just like the Femme Vortex, Findikoglu hopes to transcend traditional fashion and social rules with the power of design, revealing a sense of abstract ritual that transcends reality in rebellion.

Like the headscarf made of dangling keys, which seemed to allude to the heavy shackles on women's bodies, it came with the blessings of movement director Pat Boguslawski (who co-directed Maison Margiela's Haute Couture show last month).

The model on the show deduces a kind of power to break free and sublimate, rendering the heroic narrative from the perspective of women, and filling our expectations for the future of London Fashion Week.