In this issue, we focus on the intersection of the legendary masters and the new generation, whose talents have lit up the past and future of fashion.
And the atmosphere of innovation brought about by this convergence will inspire all those who maintain a passion for fashion to continue their efforts.
When we trace the history of fashion, the once-shining legends are still clearly visible.
We speak to designers who have created iconic designs and redefined the nature of fashion through their boundless creativity; We also pay tribute to many supermodels at home and abroad, whose presence continues to broaden the aesthetic dimension.
Among them, the legendary supermodel Shalom Harlow, who appeared on the cover of this issue, is a very dazzling one, she can be called the fashion spokesperson of the 1990s, creating countless classic moments.
In today's fashion industry full of new forces, Shalom still shows a variety of characteristics by virtue of its unique charm and high adaptability.
Her active involvement in philanthropy, advocacy for minority groups and environmental causes also highlights her legendary career.
Although not one of the "Five supermodels" in the traditional sense of the 1990s, Shalom Harlow's status and achievement are beyond doubt.
She has created countless catwalk glimpses that the Internet has been talking about; At the height of his career, he fell to the bottom due to sudden illness and disappeared in front of the camera for several years.
Today, she is in the spotlight with the same bright smile, determined eyes, and undoubted expressiveness and appeal.
Here, Shalom shares with us the new insights that her ups and downs over the years have given her.
At Alexander McQueen's Spring/Summer 1999 collection, Shalom Harlow appeared on the center stage in a white dress.
She had just arrived in London on a red-eye flight and had little idea of what was to come, other than being told she would be splattered with paint on the runway.
She had no idea what the music would be, how long the performance would last, and little did she know that she would achieve a fashion moment that would be celebrated in the future.
With the orchestral sound of "The Death of the Swan", Shalom rotates between two spray painting robots, the white dress on her body gradually has staggered colors, her body moves accordingly, and her expression is occupied by emerging emotions. Everything is smooth and natural, presenting a romance of approaching dusk.
This impromptu performance without rehearsal, because Shalom's participation, added to the legend that has not faded to this day.
Whether it is the rebellious rock girl portrayed by Marc Jacobs in Perry Ellis, the city girl with unlimited beauty on Todd Oldham's show, or the handsome eastern woman created by John Galliano for Dior, Shalom's existence, All of them have written the most vivid annotations for the four words "swaying life posture".
Not to mention her iconic images in front of every legendary fashion photographer since the '90s, including Irving Penn, Peter Lindbergh, Arthur Elgort, and Steven Meisel.
However, the sudden onset of Lyme disease forced her to retreat, wave away the familiar camera and runway, and take care of her body and heart.
These years of ups and downs of experience, let her deeply realize the bright and dark of this profession.
Shalom describes models as hidden in the public eye -- people see you in the spotlight, but rarely know the real you.
She hopes to share this knowledge with young girls who dream of becoming models, so that they can better convey the inspiration and creativity that this industry depends on while preserving themselves.
I moved to Paris when I was 17 and started modeling. Completely out of the blue, within a week I was offered the chance to walk for Versace.
At that time, there was a big separation between runway models and magazine models, and maybe because of my dance background, I could be more elegant and comfortable on the runway, so I basically fell into the former category.
At that fitting for Versace, Christy Turlington and Naomi Campbell noticed me, and coincidentally, they were going to Chanel next, where they mentioned me to Karl Lagerfeld, and Karl called me in for an interview. I was lucky enough to be able to walk for Chanel at the beginning of my career.