Brightly colored Norwegian sweaters are a standout item, and they can be worn with skirts or fluffy, casual, bubbly pants.
Tooling wind ski suit, down jacket are the most classic CHANEL quilting interpretation, classic yet fashionable.
Second, '70s style.
More precisely, from the 1970s to the present day, a very cool Parisian fashion.
Club Castel is reminiscent of the swinging 70s. Short tops, especially miniskirts, became one of the most fashionable looks of the time. So in the hands of Virginie Viard, the miniskirt is paired with various pieces to inject a little vitality into the rigorous and elegant style, so that the girl can show off her charming legs.
The clothes and dresses were also sequined, adding a touch of rock and roll to the elegance.
Even supermodel Rianne van Rompaey, who finished the show, wore a long, glittering trench coat.
Jewelry is also a highlight. Thin pearl suspenders, paired with long, layered necklaces, make jewelry a part of the outfit, with a touch of casualness in luxury.
In terms of handbags, there are rhinestone dinner bags that can be worn like a long necklace, or small plush chain bags that are delicate and practical.
In terms of collocation, contrast and mix and match style is more comfortable. Stella Tennant is also visible throughout the collection.
"I like to mix and match everything. It's all very Chanel."
Almost all of Virginie Viard's new collections combine thicker tweed with lighter chiffon. The classic tweed jacket also has a new interpretation, it has been given a new life.
As she explains, the inspiration came from the legendary style of the late Stella Tennant, CHANEL's Muse for many years.
Navy gold and silver thread suit with white collar and cuffs in a men's black shirt, colorful yarn embellished knit romper with a tweed kilt... These are the indelible impressions Stella Tennant left on Chanel's history.
The Virginie Viard was also inspired by CHANEL's fall 1994 collection, in which Carr used very obvious phantom fur suits and coats to create designs that were very different from the style of the time and received critical acclaim, Virginie Viard reimagined the pieces in black, white and pink wool, shearling, a nod to the history of Karl and Chanel.
This time around, Virginie Viard invited photographer duo Inez & Vinoodh to create a series of images that play with Virginie Viard's love of contrast.
For example, a few days ago, we received the invitation gift box for the CHANEL 2021/22 fall/winter haute couture collection, which is from their hands and Virginie Viard.
This time the invitation CHANEL is very creative. The Dutch duo remotely photographed ten Chanel brand ambassadors, including: Singer Angele, actors Margaret Qualley, Whitney Peak, Song and Nana Komatsu, music producer Caroline de Maigret, supermodel Liu Wen, and singer Jennie Kim, G-Dragon with model and musician Soo Joo Park.
Inez & Vinoodh are a famous Dutch duo of photographers who have been working together since 1986, creating and documenting many classic images of art and fashion.
When it comes to Inez & Vinoodh's collaboration with CHANEL, it's actually been around for a while.
For example, they shot this autumn/winter 2021/22 haute couture collection campaign, where models walk through the streets with a cold beauty that is divorced from reality.
They also shot backstage scenes of the show: Model Lola Nicon appears behind a curtain of beads To Diana Ross 'Do You Know Where You're Going To, looking like a retro actress.
By the way, Lola Nicon is a new generation of supermodels that CHANEL and Virginie Viard are very fond of today, and you must remember how the closing bride on a white horse amazed everyone with this extreme elegance and romantic temperament at CHANEL's Spring/Summer 2021 Haute Couture uniform collection.
Back to Inez & Vinoodh, as early as last year, they shot a campaign for CHANEL's spring/Summer 2021 haute couture collection.
The trailer for the series, also shot by the duo, even moves Los Angeles into the Grand Palais in Paris, the Sacre Coeure Cathedral stands on the Hollywood Hills, and replaces Hollywood's iconic signage with CHANEL, with extreme surrealism.
They also invited Princess Charlotte Casiraghi of Monaco to shoot an AD campaign, traveling under the principality of Monaco, between day and night.
"Is she real, or is she merely glimmering, and does not belong here? She's the perfect way to play with the intersection of reality and dreams."
At this moment we think, reality and dream, is not just CHANEL for us to weave the most beautiful things?
