How different is the creation of female fashion designers


All are mixed into the creation, with a rich and delicate posture, with a firm and gentle perspective, to convey immeasurable vitality.

MTG designers Xu Shangqian and LaiYuqing understand the art of returning to nature, based on traditional culture, they hope to "re-explore the needs of the female body and the dynamic aesthetics of clothing in the multi-dimensional sustainable concept and rational attitude, return to national romance, deconstruct the future of high fashion".

In the new series, MTG focuses on "Hua Po", the cultural symbol of the Zhuang people in their hometown. The two interpreted it this way: "In the consciousness of strong people, nature corresponds to the spirit of human life, and the first grandmother God Bucarv is a female image born in a flower."

The life of a strong person is the life of a flower, but also a romantic life: birth is sent by the flower woman, marriage is two flowers planted together, death is the flower woman takes back the flowers.

Combining and opposing the silhouette and sports aesthetics of fashion with traditional ethnic elements, it continues to show the fusion and conflict of complicated handicrafts such as minimalist lines and patchwork.

"The beauty of Oriental women's power is created from romance, mystery and tenacity, and the female perspective is given to break the stereotype."

Xiangqiao Sheng, designer of Xiangqiao Sheng, also hopes to show the gentle and firm female power, "My girls are very clear about what they want and can find a comfortable state in different occasions." For example, the original Yves Saint Laurent smoking suit subverted the fashion of an era. Wearing a male suit gives a woman a unique charm. Today, we don't have to add menswear elements, and my work is trying to convey this gentle power."

Just as the Pseudo Poems 2023 spring/summer series was inspired by the 20th century American talented female painter Virginia Frances Sterrett, designer Yang has always been inspired by female artists and derived inspiration from them to create.

She describes the reason for this: Most of the works of female artists have sensitive and delicate characteristics, while full of romantic endless imagination. In my opinion, the female perspective is always relatively tender, like the feeling of soft cashmere worn on the body.

In the creation, I like to reflect this soft and delicate texture through soft colors and soft fabrics. I like the natural curves of the female body, from the arm lines to the neck curves, in my opinion are particularly beautiful. The interaction between the clothing fabric and the body is particularly able to reflect this soft and light beauty, just like the soft sculpture of the female body, outlining the natural beauty of women.

Founded by two female designers, Christa Bosch and Cosima Gadient, Ottolinger is at the heart of an avant-garde, bold and even disruptive style that pushes ahead without putting limits on itself.

Each season can feel the strong female declaration, through deconstruction, tearing, splicing, tie-dye and other design techniques, collage more and more free and diverse face. Ottolinger's women exude a strong sense of confidence in their every move, regardless of body shape.

As Gadient says, 'We want the clothes to be really supportive, and the designs look exaggerated, but when you actually wear them, you feel visceral enjoyment.'

Cute, sweet, lively and playful, we can use these words to describe the impression that Shushu/Tong girls have left on us in the past.

However, in their latest Spring/Summer 2023 collection, designers Lei Liushu and Jiang Yutong are determined to break through stereotypes and explore the multiple dimensions of the female image.

They turned their inspiration to the sexy, rebellious female characters in classic Hollywood films such as Belle de Jour, Breakfast at Tiffany's and Pretty Woman, creating a sexy release around the image of girls through more skin-exposed designs and sharper cuts.

Such a rich visual presentation can not be separated from the hand in hand of the two designers, Lei Liushu is mainly responsible for the control of the design level; Jiang Yutong said that he was more "from the perspective of girls, from the level of feeling to join the opinion."

Designer Zhan Huidi has never stopped exploring feminism since her graduation series, and she regards the creation of each season of the brand Zhan-HD as a dialogue with her current self.

In her new collection, "Waiting for the Priestess," she used a lot of mesh fabrics and embellished the clothes with artificial flowers to create an image that was both vulnerable and full of life.

As she says, "intended to convey a sense of determined femininity, it's also a poetic meditation on us and the future, sometimes hopeful, sometimes anxious, sometimes euphoric, sometimes resigned." This is certainly more meaningful in the face of a life increasingly controlled by algorithms."

Under the see-through suit of Zhan-hd, the white corset from Her Senses is looming, and the bright geometric line sense highlights the bold attitude of contemporary women to embrace themselves, extending the underwear from the inner tolerance and protection to the outer free expression.

Sarah Han, co-founder of the brand, said: "I have always believed that underwear is the most direct reflection of a woman's self-perception, and it is a direct expression of self-aesthetic like any other wear. Through the intimate dialogue with the body, Her Senses observes the growth process of women's self-shaping and being shaped, highlighting the inclusive, sexy, free and sincere spirit of The Times."

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