From the founder Mr. Valentino Garavani to the current creative director Pierpaolo Piccioli, Valentino has been doing, is the woman's inner romantic, beautiful imagination, a needle and line outline into clothing so that you can reach.
Pierpaolo Piccioli mixed the classic with the modern, adding the everyday trench coat, wide-leg pants to the gorgeous haute couture uniform, and this "floating" feather hat from "hat magician" Philip Treacy.
The haute couture show is always full of fantasy, this fantasy by floating feathers, gorgeous beads, thin as cicada gauze dress woven, but these elements can also pile up the same "princess line", but it is clear that in Piccioli here, you are completely different to worry about this problem.
A woman's dream is his blueprint, but he holds a rational knife and scissors. Watching the show, you said you smelled a forest mist, and yes, those floating feather hats and overlong bow belts did reveal a bit of ethereal feeling, but Piccioli did not use skirts all over, those modern trousers and the occasional black stockings, in any case, there is an urban atmosphere.
There are magic fairies on this show, and there are strange girls who mix and match the gorgeous dress coats of the 1950s and the suits of the 1960s, each of them is unusual in its own way, but they are all rich and interesting. This is much more vivid than a gorgeous, inviolable "princess dress" from start to finish.
If the dream is too much, there is no fireworks; If there is only beauty, there will be a lack of taste, but Valentino brings you vividness and thousands of flavors inside, which can not be explained clearly in a word or two.
Valentino has the most "goddess" silhouette
Valentino is very good at using the silhouette of dresses to highlight femininity. For example, you can often see H-Line silhouette on Valentino's show.
This H shape is not a rigid rectangle, but the shoulder fits, the skirt body drops to the style, the moment you walk, the skirt of the long skirt will swing elegant arc.
This season, Pierpaolo Piccioli has also made a big breakthrough in shape.
Dramatic tops with rounded shoulders were mixed with vertically lined pants and skirts, while bell-shaped coats were paired with an equally voluminous dress skirt.
Just hearing these descriptions, you might not imagine that these contrasting profiles can coexist peacefully, but Piccioli does, they conflict with each other, but they are indispensable.
Not all red is called Valentino red.
Valentino red includes 0% blue, 100% red, 100% yellow and 10% black. This pure red is called Valentino red.
As a teenager, Valentino Garavani met a woman in a red velvet dress at the theater, which had a major influence on his future designs. "She was different, aloof and cold. I said to myself, if I become a designer in the future, I must use red freely."
Here at Valentino, there are only little red dresses, no little black dresses.
When you look at Valentino's haute couture, you can't miss the amazing details. The hats on the runway were created by hat designer Philip Treacy, with feathers flowing and moving as the models walked.
The brand's signature "Valentino red", as well as bow elements also appeared on the show.
The exquisite floral pattern, romantic lace, and gorgeous taffeta on the dress body, the high sense of fabric and intricate craftsmanship, can be fully felt in these haute couture dresses.
In terms of accessories, gold dominates, and three-dimensional earrings and neckpieces complement the contemporary chic and classic art of Valentino this season.
