Can not help but remind people of the release of the first makeup series Rouge Hermes launched this year, the lipstick is divided into matte and satin two germplasm, the first 24 colors, crazy grass.

Leather, another important element of Hermes, is of course also the focus of this season. Whether it is a well-tailored leather coat, or only a small area of leather embellishments, stitching, advanced craftsmanship makes all details stand up to scrutiny.

Paintings, sculptures, poems, Chloe 2020 Autumn/Winter series show, witness the powerful power of deductive spirit coordination.

Creative director Natacha Ramsay-Levi teamed up with three female artists to create this "immersive" show space that resembles a high-end concert hall. The golden sculptures were created by sculptor Marion Verboom, and the sound of poetry recited around the show by musician Marianne Faithfull.

The line patterns in the paintings of artist Rita Ackermann are printed on a variety of flowing shirts, dresses, and bags, which are both artistic and practical.

The modern and independent Chloe women are also good at taking inspiration from the men's wardrobe, and they have digested the style items that originated from men's wear, such as hunting jackets, wide-leg jeans and baggy flare suits.

This season CELINE continues to enrich our classic wardrobe, with Hedi Slimane's recognisable CELINE silhouette, ruffles and the use of gorgeous velvet fabrics setting the romantic tone of the collection.

Similarly, CELINE's men's and women's combined show once again broke the boundaries of gender, silk shirts, silhouette coats, are both men and women can wear single items, this design style also extends to the handbag collocation.

The dress part is also very wonderful, the addition of leather, animal print, metallic sequins, with black stockings in platform heels, adding a free and easy atmosphere.

Loewe offered a more experimental perspective, with creative director Jonathan Anderson treating the Fall/Winter 2020 women's collection as a fashion playground. From the black-and-white floor of the show to the abstract works of Cuban artist Zilia Sanchez, the atmosphere is evident.

Experiments with profiles and materials are everywhere. The seemingly exaggerated and harmonious proportions of the clothes are a kind of precision adjustment after the extreme, many unexpected materials are organically merged together to produce surprising contrasts: denim and sequins, wool and tapestry, solid fabrics and bold patterns.

The simplicity and magnificence of the Spanish religious paintings were also absorbed and became a solemn and magnificent robe. The exaggerated feathered headdress was also a highlight.

When it comes to the Little black dress, many people's first image is Audrey Hepburn dressed in Givenchy. Coincidentally, Givenchy Autumn/Winter 2020 was inspired by the actresses from the French classic film, which Clare Waight Keller named 'Arthouse Beauty'.

The whole series explores the relationship between fashion and the beauty of women's bodies. Clare's strong sense of tailoring appears on their respective coats, coats and capes, and the exaggerated architectural silhouette fashion reflects the independent and modern temperament of contemporary women.

In the dress part, the use of more leisurely romantic tailoring, crimson, purple, brown, dark green color splicing, but also the release of women's gentle, graceful side.

The evening wear part continued Givenchy's advanced craftsmanship level. Under the support of accessories such as huge hat brim and leather gloves, the elegant silver beads, feather embroidery and tassels made the evening dress look luxurious and dazzling, and the models on the runway were just like those retro and elegant French female stars in the old movies.

Unlike previous seasons, Valentino Autumn/Winter 2020 opened with a series of all-black looks, with Billie Eilish's "All the good girls go to hell" as the show's soundtrack.

This season is inspired by a focus on humanity and equality, like South African contemporary artist Marlene Dumas painted characters in a single wash of ink, and no age, race, gender, etc., should be a limit.

The everyday wear, dominated by black, blue and grey, and the details of classicism and uniform style, became a tool for creative director Pierpaolo Piccioli to advocate equality in his design. Floral elements are also a staple of Valentino every season, this time they are embellished on coats and dresses, full of art. In addition, tulle, embroidery, lace and other elements are also indispensable, Valentino dress dress is still full of fairy.

If you say the most special show in Paris, Miu Miu will be in the list, whether it is fashion or show installation, you can see the joke and silliness. The avant-garde decorative carpet, the column is wrapped by LED metal frame into shining bright pink, velvet material of the show seat... This time, the Palais de Jena in Paris has been refurbished by AMO.

Miuccia Prada created this season Miu Miu is contemporary and retro, waist suit, full of crystal gauze skirt, plus plaid, navy collar, or large lapel, modern cut with retro elements, Miu Miu collocation is always unexpected.

Show models with delicate curly bangs, elegant, low saturation bright coats, in fact, is very practical, especially in the autumn and winter season, both warm and age reduction.